Tuesday, 31 March 2009
-
Portraying Yourself in Someone's Shoes Can Reveal Your Hatred
Not exactly your normal Xanga question, but one I feel is important. simbathe2nd recently posted "Killing My Son," a fictional account of a woman's emotions after a failed abortion.
Fictionally putting yourself in someone else's shoes is a tricky endeavor. Obviously, anyone who has ever written anything that is not 100% true has experimented in this. It's the joy and often the very purpose of fiction writing -- to understand life through someone else's eyes. But there is a difference between using fiction to try to understand someone else and using fiction as an excuse to judge someone else.
Lets take, for example, the depiction of native Americans in the poetry of Longfellow (particularly the long poems "The Courtship of Miles Standish" and "The Song of Hiawatha"). A glancing look at his poetry can lead one to believe that Longfellow is sympathetic toward Native Americans. They are seen as strong warriors who want to protect their way of life. A closer look, however, reveals that Longfellow liked to portray Native Americans as incredibly violent, unnecessarily cruel, and incapable of having the same range of emotion as Europeans. So while he romanticizes their struggles and their hunts, he always comes down to the idea that they are incomplete people. More importantly, he leaves no room for doubt in his portrayal: he is absolutely sure that he understands Native Americans.
That is the real danger in stepping into someone else's shoes: believing that you can reach reliable conclusions. It is a noble thing to reach for understanding, it is an arrogant thing to think you've ever reached it. It is especially troubling when your estimation of how someone else should feel leads that character to self-hatred -- because in doing so, you are revealing your hatred of them.
When you present a fictional portrayal of someone, but do so in a manner that seems to indicate that you understand what they are feeling, the conclusions you make come dangerously close to saying "this is what people who have actually been in that situation SHOULD feel." It's a dangerous move because you can't really get in their heads, and it's not fair of you to define you are they are for them. If you’ve talked to them, just let them share their story as they want to. No sense making up your own. To me, it reeks of trying to control their heart.
Post a Comment
- Back to revelife's Revelife Site!
- Note: your comment will appear in revelife's local time zone: GMT -05:00 (Eastern Standard - US, Canada)

















Comments (13)
Sounds like a damn good argument for Christians leaving atheists alone.
Hmm, the conclusion you come to seems kind of strange. If you're writing a story with the specific intent to illustrate a personal belief, of course you're going to be controlling those characters involved and what they feel. Those characters have to have sufficient motivation for their feelings and actions or else it will come of as ridiculous, and depending on your message that might happen anyways.
Not that this is the best way to write fiction...with an iron fist.
Isn't it better to try to empathize with someone than to just assume you know them?
In your example, Longfellow probably didn't actually put himself in the Native Americans' shoes... so his conclusions about them are bound to be flawed.
Interesting post!
@lovechartreuse@xanga - I was thinking the opposite, lol, :)
@JUSTAVAPORHERE@xanga - LOL yes I should include and vice versa.
@lovechartreuse@xanga - :)
oh my.. I never knew that
I guess it is exaggerating for you to be in someone's shoes. We place ourselves on the right place and also at the right time.
Very insightful!
Very well said.
I think this is a well thought-out post, but I feel as if this is a problem generally. I really can't be certain if we get the complete experience from our own lives, so even when depicting someone who is the same race/gender/sex/class etc. I would have to wonder how accurately we can depict them. How much do we really FEEL and experience our lives? Fiction creates a kind of linearity in life that simply does not exist for us to see. Maybe God can see it, but not regular people (supposing God does keep track of those things). Fiction gives us biref portraits of significance that we don't have, little spotlights we can shine on events or objects to show what is important about it, and yet in life that simply isn't so, the things we find value in might not end up having any real affect on our lives, whereas something we barely notice the first time around could change everything. How could one narrate something like that effectively to the reader, providing the same sensations as the character would feel?
I'd argue that you can't, or that if you were to, your narrative would seem incoherent.
I get what you're saying though, and when people fictionalize experiences outside of their realm of life I feel like it is just so much propaganda for some cause or another. I also wonder, though, how much we can accurately narrate in the first place.
why is that baby flipping me off?